Originally from Limerick, O’Brien’s work captures the everyday and the inbetween in a way that transcends any genre label. Writing from her own observations, O’Brien’s influences can be found in the realism of Mark E. Smith of The Fall and Patti Smith, and the works of literary icons such as Samuel Beckett, W.B Yeats, Flann O’Brien, Joan Didion and Albert Camus. Releases to date have drawn admiration from outlets and radio stations as diverse as The Guardian, Loud And Quiet, The Quietus, BBC Radio 1 and BBC Radio 6 Music, and more across the Atlantic by way of The FADER, Stereogum and Paste.
A multifaceted artist, O’Brien’s writing has also been published by the esteemed London Magazine whose alumni include T.S. Eliot, Sylvia Plath and William Burroughs. Her unique fusion of lyric-focused, spoken and sung words set against the “unholy orchestra” (Dork Magazine) of her band, Julian Hanson (guitar) and Oscar Robertson (drums), has piqued the attention of luminaries of both fields, seeing her perform with John Cooper Clarke and The Brian Jonestown Massacre at sold out theatres across the U.K. Sinead O’Brien’s transfixing performances are placing her at the forefront of a resurgent wave of independent British and Irish talent.